Lemures & Legends Selected (2011)
Lemures & Legends Selected (2011)
This is the album I listened, when I got burglared. In February, french criminals broke into my caravan:
With tracks recorded in the chapel of Niederfeulen, it made the harassers react instantly and I'm afraid I'm alive (PV 12047/Police Wiltz).
Lemures & Legends 1 & 2 are live albums, introducing an innovative track (Das Glasperlenspiel).
The artwork /design is spontaneous. It is difficult to find a relation to the tracks, treat that kind of failure.
Lemures & Legends Selected shows the essential package, of what we've recorded in 2011.
"The attack was a hurricane. On the evening before, in the darkness, the barricade had
been approached silently, as by a boa. Now, in broad daylight, in that widening street,
surprise was decidedly impossible, rude force had, moreover, been unmasked, the
cannon had begun the roar, the army hurled itself on the barricade. Fury now became
skill. A powerful detachment of infantry of the line, broken at regular intervals, by the
National Guard and the Municipal Guard on foot, and supported by serried masses
which could be heard though not seen, debauched into the street at a run, with drums
beating, trumpets braying, bayonets levelled, the sappers at their head, and,
imperturbable under the projectiles, charged straight for the barricade with the weight of
a brazen beam against a wall"
The wall held firm
Several Media appearences were due. Tracks include the innovative Messiah-Solo, King essai and, of course, Viva, the very sympathic composition. Based upon an own proposition, legendary status of role-models are fit, such as the dendroïd, or Slash (mentioned in an instant and described). Pieces, recorded through 2011, in Luxembourg.
It's, that downstep is to witness after a first success: Nervosity, waitress to desire, success.
"
"Economically considered, the matter can be summed up thus: Paris is a spendthrift.
Paris, that model city, that patron of well-arranged capitals, of which every nation strives
to possess a copy, that metropolis of the ideal, that august country of the initiative, of
impulse and of effort, that centre and that dwelling of minds, that nation-city, that hive of
the future, that marvellous combination of Babylon and Corinth, would make a peasant
of the Fo-Kian shrug his shoulders, from the point of view which we have just indicated
Don't be afraid: Please come in! Slang engenders a whole world."
The chord progressions "On Rocks", "Viva" got proposed by a presbyterian monk, Abbaye St. Maurice sàrl, Clervaux. Sympathic, he introduced me to the methods of explaining.
On Rocks describes the feeling of being a tutor, euphoric, nervous. I thought about mother in the opening segment.
Viva is rather the feeling of being exhausted. Father was a major reason for writing.
My education was rather harsh. In those days I lived in a foyer, my means were modest.
I played everywhere; the big market, the small street; television, in parks, theme parks; showers, with razorblades.
Nothing helped. It even became worse; at that time.
